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DVCPRO 25/50

DVCPRO TAPE TRANSFER

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DIGITAL DOWNLOAD

BETACAM SP, DVCPRO HD, super 8 transfer, iCloud, 3/4 Umatic professional videotape, FLOPPY DISKS TRANSFER, film transfer services, digital scanning

Transfer to Icloud

USB Thumb Drive

DVCPRO 25/50, DVCAM, BETACAM SP, super 8 transfer, USB, 3/4 Umatic professional videotape, VHS to digital transfer, FLOPPY DISKS TRANSFER, digital scanning, Mini DV, DVCPRO HD

Transfer to USB/Hard Drive

DVD

DVCPRO 25/50, DVCAM, VHS to digital transfer, Mini DV

Transfer to DVD

Every video and image that we transfer is securely backed up for 90 days after your order is completed.

 

DVCPRO50 was introduced by Panasonic in 1997 for high-value electronic news gathering and digital cinema, and is often described as two DV codecs working in parallel.

The DVCPRO50 doubles the coded video data rate to 50 Mbit/s. This has the effect of cutting total record time of any given storage medium in half. Chroma resolution is improved by using 4:2:2 chroma subsampling.

DVCPRO50 was used in many productions where high definition video was not required. For example, BBC used DVCPRO50 to record high-budget TV series, such as Space Race (2005) and Ancient Rome: The Rise and Fall of an Empire (2006).

A similar format, D-9, offered by JVC, uses videocassettes with the same form-factor as VHS.

Comparable high quality standard definition digital tape formats include Sony’s Digital Betacam, launched in 1993, and MPEG IMX, launched in 2001.

DVCPRO Progressive

DVCPRO Progressive mark

DVCPRO Progressive was introduced by Panasonic for news gathering, sports journalism and digital cinema. It offered 480 or 576 lines of progressive scan recording with 4:2:0 chroma subsampling and four 16-bit 48 kHz PCM audio channels. Like HDV-SD, it was meant as an intermediate format during the transition time from standard definition to high definition video.[15][16]

The format offered six modes for recording and playback: 16:9 progressive (50 Mbit/s), 4:3 progressive (50 Mbit/s), 16:9 interlaced (50 Mbit/s), 4:3 interlaced (50 Mbit/s), 16:9 interlaced (25 Mbit/s), 4:3 interlaced (25 Mbit/s).[17]

The format has been superseded with DVCPRO HD

quality-guarantee, BETACAM SP



Every digital Betacam Transfer Includes: Professional Transfer to MP4, MOV, AVI or Apple ProRes Files Real-time capture using professional video decks

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